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    Balle of the Year - Форум
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    Форум » ГИЛДХОЛЛ / Guildhall » ДИПГОРОДОК / Consulate » Balle of the Year (Balle of the Year)
    Balle of the Year
    AlaraeldemyДата: Суббота, 05.10.2013, 23:34 | Сообщение # 1
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    "Struggle of the Year" touches on exactly how the remainder of the world has accepted b-boy society, however how they're no longer viewed as cutting side or cool in the United States.

    That stresses the Sean Combs-like impresario, Dante (Laz Alonso): "How long prior to hip-hop isn't cool down?".

    He has to safeguard his dance, fashion and popular music empire by placing American b-boys back on top. He employs an aged dancing colleague, W.B. (for "Wonder Bread"), now a grieving, alcoholic ex-basketball coach (Josh Holloway of "Lost"). W.B. has to obtain himself up to speed up on the existing state of dancing, then sponsor and coach a "all-star team" of the very best of America's finest to take on the rest of the world, which has actually passed America by and long controlled the annual b-boy Olympics called "BOTY," the Battle of the Year.

    That group consists of various conceited, chip-on-their-shoulder showoffs, since that's what it requires to be successful. Real superstar professional dancers such as Do Knock and Flipz are mixed with others, consisting of vocalist Chris Brown.

    And aiding coach is Jewish hip-hop authority "Franklyn with a y," played by Josh Peck.

    Benson Lee, director of the clear-cut documentary on the worldwide sensation, "Planet B-Boy," co-wrote and directed this, and immodestly has personalities see that movie and vocalize its applauds. Holloway could not even mean a real dancing past, so the flick fabricates that by having his coach operate his guys via drills (in split-screen sequences).

    Peck, once of T.V's "Drake & Josh," one-time superstar of "The Wackness," has a small, supporting duty yet is offered leading billing. In this case, that suggests his every scenario features extremely fabricated and coiffed close-ups. It's laughable.

    Tabloid beloved Brown even more compared to holds his own with this staff, obviously not even needing a dancing double. The dancing settings-- especially those entailing teams from Germany, France and Korea-- take the b-boy moves to the upcoming degree.

    And there are sufficient simple, undemanding laughs, the most effective lines originating from Peck's assistant coach.

    "You resemble a gazelle available," he applauds his supervisor. "A gazelle with arthritis." Which, while it does not explain the flick, does hit this genre right in the bull's eye. Then, the appeal of "Step Up" and all its tired imitators is that the viewers they're capturing for has no idea that there have actually been 20 or 30 films exactly like this one that came before it.


    He has to safeguard his dancing, style and music empire by putting American b-boys back on leading. He hires an old dancing buddy, W.B. (for "Wonder Bread"), now a grieving, sprituous ex-basketball coach (Josh Holloway of "Lost"). W.B. has to get himself up to speed up on the existing state of dance, after that recruit and coach a "desire group" of the best of America's ideal to take on the remainder of the globe, which has passed America by and long dominated the annual b-boy Olympics known as "BOTY," the Battle of the Year.

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